By Anna Vo
In 2018, B.F.A. fashion design student Kiki Wang saw an exhibition that changed her perspective on the nature of our society. “I Tree To Call You” is a site-specific installation of a live tree created by Taiwanese visual artist, John Yuyi. Every leaf features a message inspired by Yuyi’s personal text conversations, including emojis, computer symbols, and blue bubble text messages. The tree represents the artist herself, existing in a virtual world surrounded by virtual fragments of her relationships with the people in her life. The tree, a symbol of what is natural, is placed in artificial human space. The leaves are depictions of relationships, and when they fall, it’s symbolic of a relationship that has ended.
As someone who believes there is hope in unpcertainty, the Academy of Art University School of Fashion student was inspired by this interpretation. For her collection, she turned to wedding attire—reexamining its function and the nature of a wedding gown, as well as luminous charmeuse, petticoats, voluminous coat dresses, and veils. But rather than honoring traditional codes, Wang disregarded them, giving the gown a bold new definition. She favored a form-fitting silhouette, one which hugs at slender shoulders, curved waistlines, and full hips. The simplicity in its detail and sleek attitude of the clothes make up for the nonexistent appearance of lace, florals, or satin. It’s a collection that supports a slightly masculine form, focusing on comfort and versatility rather than pompous embellishments.
The box-like form of the sleeves and minute details on the chest strengthen the immutable power of femininity. These boxes are based on the silhouette of iPhone cases, linking back to the inarguable connection between technology and the relationships we form today. For Wang, human relationships are like these digital messages: they can easily be erased. “A marriage isn’t permanent,” she said. “And most people only wear their wedding dress once.”
Take a look at the statistics and you’ll get a glimpse into the society we live in. The current divorce rate in the U.S. stands at 50%. In this collection, Wang challenged old-fashioned, traditional values and the idea of the American Dream—things symbolized by the wedding dress. Instead, she has created a wardrobe where the bride is in control. Amidst the uncertainty, the leaves can keep falling, but this woman remains intact. She recognizes the lack of practicality and reality in the one dress that should mean the most to her. In a current world where traditional ideals are becoming archaic, Wang’s collection offers a spoonful of hope.